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Let Us March On: Lee Friedlander and the Prayer Pilgrimage for Freedom

September 19December 16, 2018
This exhibition presents photographer Lee Friedlander’s images of the Prayer Pilgrimage for Freedom, a critical yet generally neglected moment in American civil rights history. On May 17, 1957—the third anniversary of the landmark Supreme Court decision Brown v. Board of Education, Topeka, which outlawed segregation in public schools—thousands of activists, including many leaders from religious, social, educational, labor, and political spheres, united in front of the Lincoln Memorial, in Washington, D.C. At this first large-scale gathering of African Americans on the National Mall, an event that was a forerunner of the 1963 March on Washington at which Martin Luther King, Jr., delivered his famed “I Have a Dream” speech, protesters called on federal authorities to enforce desegregation, support voting rights, and combat racial violence. Friedlander photographed many of the illustrious figures who attended or spoke at the march, such as Martin Luther King, Jr., Rosa Parks, Ella Baker, Mahalia Jackson, and Harry Belafonte, and he wove among the demonstrators on the ground to capture the energy and expressions of the day.

Let Us March On: Lee Friedlander and the Prayer and Pilgrimage for Freedom. Exhibition organized by LaTanya S. Autry, Curator of Art and Civil Rights at the Mississippi Museum of Art and Tougaloo College and former Marcia Brady Tucker Fellow, Yale University Art Gallery. Made possible by the Janet and Simeon Braguin Fund and the James Maloney '72 Fund for Photography.

The exhibition is partially funded by the Robert J. Gerberg '59, P'85 Endowment for the Visual Arts and by the Friends of the Picker Art Gallery. 


September 19December 16, 2018
Drawing from the Picker Art Gallery’s permanent collection along with selected works from the Longyear Museum of Anthropology, this exhibition explores how artists have engaged with the body as subject and as metaphor. Embodied considers the social and political meanings of the body, particularly issues of identity, gender, and race. How have external structures shaped our perceptions of the body, and what are the implications for how we interpret bodies in contemporary society? 

The exhibition will include works on paper, sculpture, and photography by artists such as Diane Arbus, Alexander Archipenko, Paul Cézanne, Claude Cahun, and Philip Pearlstein, as well as African and Pre-Columbian objects depicting the human form.  

Embodied features artist in residence Jessica Posner. Major support for the residency is provided by the Colgate Arts Council, and additional support is provided by the Department of Theater, Core152, and the Department of Art and Art History. For more information on the residency, related events, and registering to participate in the workshops, please click here