Book
Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century. New York: Oxford University Press, October 2013.
Articles and Chapters
“Touring the Screen: Cinematic Resonances of Diaghilev’s Ballets Russes,” American Music 39, no. 4 (Winter 2021): 468-493.
With Samuel N. Dorf, “The Ballets Russes in America,” American Music 39, no. 4 (Winter 2021): 399-408.
“Finding Meaning in Intermedial Gaps,” in Beyond Media Borders: Intermedial Relations among Multimodal Media, edited by Lars Elleström. Palgrave-Macmillan, 2020.
“ ‘Adding to the Pictures’: The American Film Prologue in the 1920s,” American Music 37, no. 1 (Spring 2019): 1-28.
“Visualizing Music in the Silent Era: The Collaborative Experiments of Visual Symphony Productions,” Journal of the Society for American Music 12, no. 1 (February 2018): 2-36.
“Dance Pictures: The Cinematic Experiments of Anna Pavlova and Rita Sacchetto,” Screening the Past 40 (September 2015).
“A Different Kind of Ballet: Rereading Dorothy Arzner’s Dance, Girl, Dance,” in Mediated Moves: A Popular Screen Dance Reader, edited by Melissa Blanco Borelli. New York: Oxford University Press, 2014.
“Dancing the Future, Performing the Past: Isadora Duncan and Wagnerism in the American Imagination,” Journal of the American Musicological Society 65, no. 2 (Summer 2012): 511-555.
“Screening the Diva,” in The Arts of the Prima Donna in the Long Nineteenth Century, edited by Hilary Poriss and Rachel Cowgill. New York: Oxford University Press, 2012.
“Creating Knowledge: Feminist Scholarship as Activism,” in Leading the Way: Young Women’s Activism for Social Change, edited by Mary K. Trigg. New Brunswick: Rutgers University Press, 2009.
“The Call of Salome: American Adaptations and Recreations of the Female Body,” Women and Music 11 (2007), 1-16.
Catalog Essays
“Ballettens Datter (1913): Rita Sacchetto,” Le Giornate del Cinema Muto Catalogue, Limited 39th Edition, 2020, 41-44.
Reviews
Review of Marian Wilson Kimber, The Elocutionists: Women, Music, and the Spoken Word (Urbana: University of Illinois Press, 2017). Journal of the American Musicological Society 72, no. 1 (April 2019): 251-255.
Review of Carrie J. Preston, Modernism’s Mythic Pose: Gender, Genre, Solo Performance (New York: Oxford University Press, 2011). Dance Chronicle 36 (2013): 118-122.
Review of Annie J. Randall and Rosalind Grey Davis, Puccini and the Girl: History and Reception of The Girl of the Golden West (Chicago, University of Chicago Press, 2004). Notes (August 2006): 110-112.
Review of Maria Pini, Club Cultures and Female Subjectivity: The Move from Home to House (New York: Palgrave, 2001). Women and Music 8 (2004): 86-92.
