Forthcoming
2021 “Aztec Cubists Between Paris and New York: Diego Rivera, Marius de Zayas, and the Reception of Mexican Antiquities in the 1910s,” Modernism/modernity, April 2021
2020 “Conspicuously Inconspicuous: Federico Baronello’s EUR_Libya and the Photographic Memory of Italian Colonialism,” Third Text, 166, vol 34, 5, September 2020: 1-21
2020 “The Via della Conciliazione (Road of Reconciliation): Fascist Urbanism and the De-Urbanization of the Working Class in Interwar Rome,” Selva: A Journal of the History of Art, thematic issue on “Reactionary Art Histories,” forthcoming.
Journal Articles
2020 “1930: Margherita Sarfatti entre Buenos Aires, Milán y Roma,” MODOS-História da Arte: modos de ver, exibir e compreender, special issue on “Intersecções do exílio: redes artísticas transnacionais, associações e colaborações,” 4, 1, 206-223.
2020 “Positively the only person who is really interested in the show”: Romeo Toninelli collector and diplomat between Milan and New York,” Italian Modern Art, 3, 1-30.
2019 “Baroque Futurism: Roberto Longhi, the Seventeenth Century, and the Avant-Garde,” The Art Bulletin, June 2019, 29-53.
2016 “The “Mostra del Quarantennio” and the Canon of Modern Art at the Venice Biennale in the Interwar Period," Il Capitale Culturale, Studies on the Value of Cultural Heritage "Museums and Exhibitions between WWI and WWII" 14: 223-252
2016 “The Nave Italia and the Politics of Latinità: Art, Commerce, and Cultural Colonization in the Early Days of Fascism,” Italian Studies 71 (November 2016)
2014 “Vincenzo Agnetti and the Poetics of Zeroing,” Art and Documentation (Sztuka i Dokumentacja) 10: 39-44.
2014 “Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon Coburn,” International Yearbook of Futurism Studies: 477-503.
Book Chapters
2020 ‘Imitators of the Imitators?: World Impressionisms at the Venice Biennale, 1895-1948,” Writing Impressionism Into Art History, ed. by Alexis Clark and Frances Fowle (Yale University Press) https://www.aaeportal.com/?id=-20010
2019 “Decadence and the Visual Arts,” Cambridge Cultural Concepts-Decadence, ed. by Jane Desmarais and David Weir (London-New York: Cambridge University Press), 133-155.
2018 “A House No Longer Divided: Patronage, Pluralism and Creative Freedom In Italian Pre- And Postwar Art,” Postwar Italian Art History Today: Untying ‘the Knot’, ed. by Sharon Hecker and Marin Sullivan (London: Bloomsbury Press), 173-188.
2011 “Indias pin-up: la indígena como objeto erótico en los calendarios de los años ’40-‘50,” Los sueños de una nación. Un año después 2011 (Mexico City: Instituto Nacional de Bellas Artes:), 43-55.
Book Reviews
2020 “The Elusive Modern Baroque,” Review essay on: Jane Stevenson, Baroque between the Wars: Alternative Style in the Arts, 1918-1939 (Oxford University Press, 2018), and Lucia Simonato, Bernini scultore. Il difficile dialogo con la modernità (Electa, 2018), for Art History 43, 3 (June 2020): 654-661.
2019 Review of Michael Tymkiw, Nazi Exhibition Design and Modernism (University of Minnesota Press, 2018), for Journal of Curatorial Studies 8, 2 (December 2019), 286-290
2018 Review of "International Yearbook of Futurist Studies- Vol.7: Latin America," Modernism/modernity
Digital Projects
2015-2017 "Portrait of a City- Jacopo de' Barbari's View of Venice," Nasher Museum of Art at Duke University and Minneapolis Institute of Art
2014-2017 "Venice Interactive Visual Atlas" (VIVA), Wired! Group, Duke University
