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Carolyn Guile

Associate Professor of Art & Art History and Russian and Eurasian Studies; Director, Medieval & Renaissance Studies Program
Art & Art History, 315 Little Hall
p 315-228-7907
Carolyn Guile teaches early modern European art and architecture in the department of Art and Art History and the program in Russian and Eurasian Studies. She currently serves as Director of the Program in Medieval and Renaissance Studies, and Director of the Program in Western Art and Culture in the Center for Freedom and Western Civilization. Her research interests include Central and East-Central European art and architecture, the relationship of Italianate architectural traditions to East-Central European theory and practice, wooden vernacular architectures in the sub-Carpathian lands, and art and the natural world in the 17th and 18th centuries. She is also interested in the use of Geographic Information Systems technology in art and architectural history pedagogy and research.

Her book, 'Remarks on Architecture.' The Vitruvian Tradition in Enlightenment Poland analyzes, translates, and publishes for the first time a late eighteenth-century Polish treatise on architecture by the statesman and co-author of Poland's 3 May 1791 Constitution, Ignacy Potocki. It discusses Potocki's views on architecture's potential to improve the nation while also serving as a platform for the critique of national and cultural traditions. Her current book project further aims to broaden our understanding of European architectural history through the study of theory and practice along the sub-Carpathian European borderlands.

An affiliate of the Center of Arts and Cultural Policy Studies at Princeton University, she is interested in the impact of conflict on cultural property, and with Michael Danti is the co-organizer of the symposium "Preserving Cultural Heritage in Times of Conflict."

Her collaborative projects with contemporary artists and Colgate's Picker Gallery include the exhibition, Reading Space: The Art of Xu Bing (Colgate University, 2008) and her essay, "Eye of the World" for Mark Dion (The Phantom Museum—Wonder Workshop. Clifford Gallery, Picker Art Gallery, 2015). She served as Reviews editor for the journal, Eighteenth-Century Studies, 2011-2017.

Publications

"Stanisław Kostka Potocki's Global History of Art," In, Michael E. Yonan and Stacey Slobodan, eds., Eighteenth-Century Art Worlds: Global and Local Geographies of Art. New York: Bloomsbury Academic, 2018 (forthcoming) 

'Remarks on the Politics of Portraiture in Early Modern Poland," In, Anu Allas and BeataHock, eds. Globalizing East European Art Histories: Past and Present. London: Routledge 2017 (in press)

'Remarks on Architecture.' The Vitruvian Tradition in Enlightenment Poland. University Park: The Pennsylvania State University Press, 2015; paperback edition 2016. http://www.psupress.org/books/titles/978-0-271-06628-8.html ISBN: 978-0-271-06628-8

“Circulations: Early Modern Architecture in the Polish-Lithuanian Borderlands.” In, Circulations: Global Art History and Materialist Historicism. Edited by Thomas DaCosta Kaufmann, Catherine Dossin, Beatrice Joyeux-Prunel. Ashgate, 2015. ISBN 978-1-4724-5456-0

“Eye of the World,” for Mark Dion, The Phantom Museum—Wonder Workshop. Hamilton, NY: Clifford Gallery; Picker Art Gallery, 2015.

"Sebastian Sierakowski, S.J. and the Language of Architecture," in Robert Maryks and Jon Wright, eds., Jesuit Survival and Restoration: 200th Anniversary Perspectives, Leiden and Boston: Brill, 2014.  http://www.brill.com/products/book/jesuit-survival-and-restoration  ISBN: 9789004282384 E-ISBN: 9789004283879

Review of Stanisław Mossakowski, King Sigismund Chapel at Cracow Cathedral (1515-1533), Journal of the Society of Architectural Historians, 73:1, March, 2014

"Winckelmann in Poland: An Eighteenth-Century Response to the 'History of the Art of Antiquity,'" Journal of Art Historiography 9 (December 2013) https://arthistoriography.wordpress.com/number-9-december-2013/

"Newtonian Pictures: Francesco Algarotti's Writings on Art as Science,"Reflections on Renaissance Venice. Essays in Honor of Patricia Fortini Brown, Milan: 5 Continents, 2013, 209-220. ISBN: 8874396341

“Bookends and Endgames in the Art of Xu Bing,” in Reading Space: The Art of Xu Bing, ed. C. Guile, Colgate University, March 2009 

“Art in Eastern Europe: Poland and the Czech Lands”, Encyclopedia of the Renaissance. Vol.2 (New York: Prentice Hall, 2000) 236-41.

Degree

BA, University of California, Berkeley; MA, PhD, Princeton University

Teaching Experience

  • CORE151 - Legacies of the Ancient World
  • ARTS102 - Survey of Western Art: Rebirth of Classical Antiquity to Revolution
  • ARTS105 - Introduction to Architecture
  • ARTS216 - Southern European Renaissance Art
  • ARTS226 - Baroque Arts
  • ARTS220 - Early Modern European Architecture
  • ARTS360 - Borderlands: Art and Architecture of the Polish-Lithuanian Commonwealth
  • ARTS482 - Razing the Stakes: Cultural Property in the Early Modern Era
  • ARTS482 - Seminar in Renaissance Art: Caravaggio
  • ARTS482 - Jesuit Arts and Architecture
  • ARTS482 - Visual Arts and Natural History, c.1500-1800

Other

  • Fulbright research fellowship at the Instytut Historii Sztuki (Institute of Art History) at the Jagiellonian University in Cracow (2016-17)
  • Member, Institute of Creative and Performing Arts Steering Committee, Colgate University (2008-11)
  • Affiliate, Society of Architectural Historians
  • Affiliate, College Art Association
  • Affiliate, Renaissance Society of America
  • Affiliate, American Society of Eighteenth-Century Studies
  • Affiliate, Association for Slavic, East European, and Eurasian Studies
  • Affiliate, Historians of Eighteenth-Century Art and Architecture
  • Affiliate, East-Central American Society of Eighteenth-Century Studies